A Heavy-Metal Tearjerker – The Atlantic

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Welcome back to The Daily’s Sunday culture edition, in which one Atlantic writer or editor reveals what’s keeping them entertained. Today’s special guest is James Parker, a staff writer who addresses readers’ existential worries in his “Dear James” newsletter. He has also written about why TV is full of late-career Hollywood guys at restaurants, how Game Change foretold the current state of American politics, and whether Theo Von is the next Joe Rogan.

James is currently in the mood to rewatch Logan, a superhero movie that he calls “grungy, nasty, expertly done.” He also enjoys attending local pro-wrestling events, reading any of John Sandford’s tense thrillers, and tapping along to Kacey Musgraves’s “Slow Burn.”

The Culture Survey: James Parker

The last thing that made me cry: How many times can I watch Metallica: Some Kind of Monster, Joe Berlinger and Bruce Sinofsky’s 2004 Metallica documentary, the Don’t Look Back of heavy metal? We’ll find out, I suppose. Anyway, I watched it again the other night (always at night, always alone), and James Hetfield’s wobbly speech at San Quentin State Prison, before Metallica plays a set there—and the grateful, encouraging roar he gets from the gathered inmates—made me (as always) cry. “Everyone is born good, everyone’s got the same-size soul, and we’re here to connect with that,” Hetfield tells his wary, hyper-attentive audience. “So we’re very proud to be here in your house and play some music for you.”

My favorite blockbuster: Right now I’m in a Logan mood. Does that count as a blockbuster? It’s a superhero movie—an X-Men movie, to be precise, a Wolverine movie, to be even more precise. It’s grungy, nasty, expertly done. Professor Xavier is demented, his telepathy warped, suffering grand mal seizures that frazzle the brain of anybody who happens to be nearby; Wolverine, always fascinating, is an alcoholic limo driver. [Related: Logan is a fitting farewell to Hugh Jackman’s Wolverine.]

My favorite art movie: Wim Wenders’s Wings of Desire. Berlin is full of angels, beautiful, ministering angels in long coats who float unseen among the people, loaded with compassion and consolation but made slightly forlorn by their own immateriality. The scene where Peter Falk, sensing the presence of an especially wistful angel, describes for him the pleasures of a hot cup of coffee in cold weather … magic. (Here’s an uneasy thought, though, prompted by my writing this: If I saw Wings of Desire now, for the first time, would I still be open to it? Or am I too old and coarsened and impatient and Netflix’d-out?)

The last thing that made me snort with laughter: At a local pro-wrestling event (Chaotic Wrestling: guaranteed entertainment!), I saw the amazing Cody Fluffman—a gorgeous, curvy presence amid all that wrestler’s gristle, as light on his feet as a dancer—do his signature move. It’s called the Steamroller: Having rendered his opponent prone in the ring, Fluffman then lies down and rolls his splendid bulk vertically over their body, from the toes upward, at a stately pace, making chuffing engine noises. [Related: A close encounter with wrestling’s most authentic madman]

Best novel I’ve recently read: Anything by John Sandford. I love this guy. King of the airport thrillers, in my opinion; Holy Ghost is the one I’m halfway through right now. His plotting is very rambly and relaxed, but by a strange trick, he keeps the tension twanging, and his descriptions of landscapes, buildings, and weather are extraordinary—lucid and compact to the point of poetry, sometimes.

Best work of nonfiction: I’m really enjoying Dream-Child: A Life of Charles Lamb, by Eric G. Wilson. Lamb, a 19th-century London essayist whose BFF was Samuel Taylor Coleridge, was a wit and a weirdo, and he celebrated—as Wilson writes—“the transience, variety and crowdedness of metropolitan life, thus challenging his friend Wordsworth’s nature worship.” Sold! For 33 years, Lamb held down a day job as a clerk at the East India Company. “I always arrive late at the office,” he wrote. “But I make up for it by leaving early.”

A quiet song that I love: “Slow Burn,” by Kacey Musgraves. I play the drums, and tapping along to this one inflates me emotionally in ways I dare not express.

A loud song that I love: “Rhino Ket,” by Kneecap: Irish rappers enjoying their ketamine. Which I’ve never taken, but I appreciate a good ravey drug anthem. “I’m k-holed out my head, this shit puts rhinos to bed.” Isn’t that good? Puts rhinos not to sleep, but to bed. Nightlight on, door cracked open, see you in the morning. (And they’re very good live, this lot.)

A poem, or line of poetry, that I return to: “Have a Nice Day,” by Spike Milligan:

So the man who was drowning, drownded
And the man with the disease passed away.
But apart from that,
And a fire in my flat,
It’s been a very nice day.